Risography

For those of you who wonder about how I made the artwork for ‘When Sadness Comes to Call’, I’m reposting something I posted a while back over @pictureaday_artists. If you like picture books and art, do check out this account, as an international artist takes over each week. This week it’s @phoebe.swan with her lovely, bold artwork. She just published her debut book as well, with a very important message. #repost @pictureaday_artists・・・Where all the magic happens. The risograph machine looks like an ordinary copy machine but it uses a similar principle as screen printing, where ink is pushed through little holes. But it’s a lot quicker and cleaner, once you have figured out how to prepare your layers and which settings you want to use. On the wall the very blue image in the middle is mine and the one with the chair and ladder (swipe for a close up). You might also recognise work made by @melissa.castrillon, @hwillustrator and @signeit. I don’t know who made the other prints . If you do, let me know in a comment below and I’ll include their names in this post. (I do know the top one in the left now, it’s by @doodleyboo and hanging upside down apparently)Layers for ‘When Sadness Comes to Call’ (published by @andersenpress) have been made with the risograph machine, but as colours are so limited, we chose to select our own colours and have them printed in exact Pantone colours (rather than the usual CMYK). I love this extra care that went into the production of the book, it’s details like this that can make a big difference. #risography #printmaking @cambridgeschoolofart @csacbi #printmakingstudio #evaeland #whensadnesscomestocall
For more images, see the original post on Instagram.
Where all the magic happens. The risograph machine looks like an ordinary copy machine but it uses a similar principle as screen printing, where ink is pushed through little holes. But it’s a lot quicker and cleaner, once you have figured out how to prepare your layers and which settings you want to use.
On the wall the very blue image in the middle is mine and the one with the chair and ladder (swipe for a close up). You might also recognise work made by @melissa.castrillon, @hwillustrator@doodleyboo  and @signeit.
Layers for ‘When Sadness Comes to Call’ (published by @andersenpress) have been made with the risograph machine, but as colours are so limited, we (art director Beccy Garrill, editor Libby Hamilton and me) chose to select our own colours and have them printed in exact Pantone colours (rather than the usual CMYK). I love this extra care that went into the production of the book, it’s details like this that can make a big difference.